本活動目前未開放報名(尚未開始或已截止)。
替代空間、藝術村、政策智庫與倡議者、資源串連平台...,下個時代的獨立文化組織,可以如何重新定義實踐模式、永續經營,而展望未來的文化組織,又可以如何跨越實體邊界,深度串聯、共享共創? 走過25年,看下個世代,藝術空間的運作如何重新想像,組織的運作可以如何創意創新地開展?而我們又如何透過更有活力的橫向串聯,包括國際網絡的連結,更具創造性地回應社會議題? 兩天的腦力激盪派對,一起來撞擊想法與實踐!

Alternative space, artist village, policy makers, platforms, etc. How could the individual cultural organizations in the next generation re-define the praxis and sustain? How could the future platform cross the border, deepen the connections and share the co-creation? Seeing next generation after passing 25 years, how to re-imagine an art space with a creative insight? and how we can respond to the social issues in a more inventive way? Welcome to join the 2-day party and enjoy racking your brain with the cultural workers from Taiwan, Japan and Indonesia!
2020-02-15 13:30   至   2020-02-16 17:00 加入 Google 行事曆
2020-01-15 00:00   至   2020-02-13 00:00
100 臺北市中正區八德路一段1號(華山 1914 文化創意產業園區中三館二樓拱廳)

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文化空間的未來之路 — 竹圍工作室二十五週年系列工作坊 #4

Imagine a cultural organization for the next generation — BCS 25 Anniversary Workshop #4

 

  • 活動簡介 Introduction

從早期的展覽,到以藝術空村與閒置空間再造的國際研究,以及國際專業人士的網絡建立,竹圍工作室是國際連結的重要平台。工作室成員亦積極參與各項國際組織,以及於國際展會活動,也是跨國計畫的發起者。

從個人網絡連結,到機構扮演的交流平台,國際連結的民間能量與彈性活力,對應著全球政經脈動的變遷,以及資源傳散方式的改變。以民間為動能推動的國際連結策略如何轉化?國際組織的第一線參與又帶來何種趨勢轉變觀察?邀請各方一同交流討論!

本次的講者來自台灣、印尼及日本,包含複合式藝文餐飲創意空間、台港澳連線藝術家交流平台、能量超強的社區型的藝術工廠、以及在愛情旅館裡的藝術進駐計畫 !第一天將由四組講者分享各自空間的故事,第二天講者們將會擔任桌長,與參與者一同分組進行交流工作坊~想要與他們互動的朋友們不要錯過囉!強烈推薦全程都參與唷~

As the first non-profit cultural space in Taiwan, BCS has been a residency space for international independent artists, and an arena for creative work and exhibition for the past 25 years. In this workshop, we want to set our eyes on 2020, and explore ways to connect independent cultural spaces meaningfully and to achieve sustainable operation. Let’s pool our resources and create a better world together.

Cross-nation exhibitions, global research, international network connection...what kind of energy and dynamics could be sparked by global exchange events initiated by the private sector? In an age where global trends are fast changing, what is the strategy we need to build global connection?

The speakers are from Taiwan, Indonesia and Japan, including a complex of a creative art space and resturant, art platform that connects Taiwan, Hongkong and Macau artists, a community art factory, and the artist-in-residence program in a love hotel. On the 1st day the speakers will share their stories and on the 2nd day they will lead the workshop and group discussion. Welcome to join us. Let’s talk and share your ideas!

 

  • 活動子題 Topic of discussion at workshop

從個人到獨立機構,國際連結的民間力量如何展現、公私協作的能量?

From individule to organization, how to show the power of global connection between government and NGO?

獨立機構的國際連結:面對全球局勢變遷的挑戰與突破路徑

How to break through the challenge while facing the Intenational change? 

機構參與國際協會、組織的策略

What's the strategy of participating international association and organization?

  • 活動流程 Schedule

第一日 DAY1 (2/15) 文化空間專題演講,看看四個亞洲的有趣案例~

13:00-13:30 報到 Registration
13:30-13:40 開場 Opening 
13:40-13:50 BCS Session 
13:50-14:50

專題短講 Keynote

13:50-14:20 Jatiwangi art Factory

14:20-14:50 節點 Zit-Dim Art Space

14:50-15:10 開放現場提問+中場休息 Q&A+Break
15:10-16:10

專題短講 Keynote

15:10-15:40 PARADISE AIR

15:40-16:10 或者書店 Or Book Store

16:10-16:20 開放現場提問 Q&A
16:20-16:50 自由交流 Free exchange
 

第二日 DAY2 (2/16)  兩階段交流工作坊,一起腦力激盪!

13:00-13:30  報到 Registration
13:30-13:45 參與者自我介紹,介紹討論形式講解
Introduce all participants and explain rule of workshop
13:45-14:25 小組討論(一)概念原則
Session 1: Concepts and Priniciples 
14:25-14:55

小組分享與提問 Sharing session

14:55-15:35 小組討論(二)實踐交流(行動計畫+推廣方案)
Session 2: Actions and Practices
15:35-16:05 小組分享與提問 Sharing session
16:05-16:15 總結 Conclusion
16:15-16:45 自由交流 Free exchange

 


※ 注意事項 Note

  • 活動第一日提供中英雙語同步口譯,欲租借翻譯機者請儘早報到入場。
    The first day of this event will provide Chinese-English translation.
  • 活動收費:報名單日費用新台幣 180 元,兩日全程參與 300 元
    Price : NTD$180 per day, NTD$300 for attending 2-day events. 
  • 為響應環境友善,本活動不提供一次性餐具,敬請自備環保餐具。
    Due to environmental concerns disposable utensils will not be provided on-site. Please kindly bring your own to the venue.

※ 一般報名 General Registration

  • 活動報名截止日期:2月12日(三) 23:59
    Sign up before: 23:59, Wednesday, February 12th

※ 補助車費(雙北以外) Transport fee subsidy for non Taipei/ New Taipei City residents. 

  • 為鼓勵其他城市的夥伴參與,竹圍工作室提供交通費補助,至多五名。有需求者,請於報名表單內註明居住城市地點。
    BCS provide transport fee subsidy for up to 5 participants who are non-Taipei/ New Taipei City residents. (but in Taiwan) To request subsidy please specify your city of residence on the registration page.

※ 流程說明 Sessions

  • 研究發表(BCS Session):
    由25週年計畫專按研究員及竹圍工作室成員進行研究回顧,並分享過往竹圍工作室自身或相關合作藝術工作者之實踐。相關專文、採訪影像與文字也將於竹圍工作室官網上事先露出。BCS 25th anniversary project researchers and BCS members will conduct a literature review and share actions taken by the Studio or partnering art practitioners. Related feature articles, interview video and texts will be released on the BCS official website in advance.

 

  • 專題短講(Keynote):
    由竹圍工作室邀請二位議題相關之國內外講者進行趨勢觀察與分享。
    Invited by BCS, two speakers from home and abroad will share their insights and experiences.

 

  • 小組討論與集體分享交流:(Workshop & Group Discussion)
    依據議題研究、工作室成員經驗與案例採訪歷程所採集之相關子議題,提出於工作坊現場討論,並分小組加深交流互動。小組討論的議題內容分為「概念」、「實踐」與「推廣」二個階段。活動結束前均有集體分享交流時間,參與者在主持人引導下分享各組討論內容並交叉提問。Live discussions on issues selected based on the group leader’s field of expertise and BCS’ study results. Participants will be divided into groups for in-depth exchange and interaction. Discussions will focus on two areas: concepts, and practices and promotion. An open sharing session will be held before the end, where, prompted by the moderator, participants share group discussion results and engage in follow-up Q&A.

 

※ 專題講者與工作坊桌長 Keynote Speakers 

PARADISE AIR/日本(Japan)

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  • 金巻 勲/PARADISE AIR (日本)/LEARN 專案經理
  • Isao Kanemaki/PARADISE AIR (JAPAN) / Coordinator and LEARN Program Manager

1986 年生於名古屋,在 PARADISE AIR 裡擔任教育者與協調者,也是一名舞者。2008 年畢業於東京工藝大學的影像藝術系。Kanemako 在 PARADISE AIR 中主要負責學習專案、視覺總監、工作坊辦理以及藝術進駐業務。不僅在 PARADISE AIR,他也負責其他藝術機構的藝術進駐檔案、展覽以及其他藝術專案。此外,他現正發展擴張自身在多元藝術領域的活動,包含舞蹈及劇場作品。

Born in Nagoya, 1987. Educator and coordinator at PARADISE AIR, Dancer. Graduated from the Department of Imaging Arts, Tokyo Polytechnic University in 2008. Kanemaki is in charge of learning program, visual direction, organizes workshop and coordinates for artists residences at PARADISE AIR. He also directions the archives of artists’ stay, art exhibitions and other art projects not only at PARADISE but other art institutions. Also, appeared in dance, and theater works, expanding his activities in various fields of art today.

 

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  • 宮内 芽依/PARADISE AIR (日本)/專案助理
  • Mei Miyauchi/PARADISE AIR (JAPAN) / Assistant Coordinator

1991 年生於群馬,在 PARADISE AIR 裡擔任專案助理及派對辦理。2019年碩士畢業於東京藝大,國際藝術創造研究學系(其論文主題為:開啟的閣樓與關閉的空間:在享樂主義與資本主義之間)。除了擔任 PARADISE AIR 的專案助理外,Mei 也舉辦派對活動去聚集不同藝術類別的工作者,包含音樂、表演、食物、環境氛圍等。活動參考大衛·曼庫索的「閣樓」— 一種非商業性派對的舉辦方式,營造出回到家中自在且開放的派對氛圍,挑戰規劃出沒有迷幻藥的迷幻派對,並尋找屬於當代的「迷幻」定義。

Born in Gunma, 1991. Assistant coordinator at PARADISE AIR, party organizer. M.A. of Graduate School of Global Arts, Tokyo University of the Arts in 2019.(Mei's academic thesis topic is "The Loft opened and closed space: between hedonism and capitalism"). Beside working as assistant coordinator at PARADISE AIR, Mei organizes a party to mix various genres of art, including music, performance, food, atmosphere, etc. It  always makes an atmosphere that visitors can feel at home, and opened mind based on a method of a party called The Loft organized by David Mancuso. Challenging to organize an Acid Party without acid, seeking for the meaning of “acid” today.

【 講題 Topic :何處是「天堂」?— 松戶:過境之地 Where is PARADISE? – Matsudo: A Point of Transit

PARADISE AIR 是開展於千葉縣松戶市的一個藝術進駐計畫,離喧囂的東京市中心有一段方便抵達卻又舒適的距離。作為文化與藝術的中繼站,我們正在累積其自身的歷史,讓來字日本與海外的來訪者能夠在他們藝術旅程中短暫停留。我們在乎每一日、每一個細微的愉悅感,各種日常與藝術的人事物串連在一起,遠遠超越了乘載這一切的地點「PARADISE AIR」。一個藝術進駐計畫,既非美術館也非畫廊,要如何去連結城市與居民,甚至更進一步連動在地與世界?這次,我們想要共享對話並尋找潛在的可能性,將藝術進駐的動能傳遞到下一個世代。

PARADISE AIR is an artist-in-residence program located in Matsudo, Chiba Prefecture, conveniently close to yet comfortably removed from the bustle of central Tokyo. We are accumulating its own history as a cultural and artistic transit point where visitors, both from Japan and overseas, can stop off along their artistic journeys. Caring even a small pleasure happening every day, various things and people are connected, including everyday life and art beyond the location at PARADISE AIR. How can artist-in-residence, which is neither art museum nor art gallery, connect city and people, furthermore, local and the world? This time, we’d like to share conversation and seek ideas and possibilities emerging from activities of artist-in-residence that can be passed to the next generation.

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PARADISE AIR 是開展於千葉縣松戶市的一個藝術進駐計畫,離喧囂的東京市中心有一段方便抵達卻又舒適的距離。此計畫地點位於一棟前旅館空出的樓層,由「樂園」柏青哥(小鋼珠賭博)店委託我們營運,店面位於整棟樓的最底層,隸屬於浜友商事公司。此計畫始於 2013 年,計畫名稱「PARADISE AIR」由店名「樂園」的英文,取名為「PARADISE」,並加上「藝術進駐(Artist-in-residence)」縮寫「AIR」而來。

PARADISE AIR is an artist-in-residence program located in Matsudo, Chiba Prefecture, conveniently close to yet comfortably removed from the bustle of central Tokyo. The program is held on the vacant floors of a former hotel, a setting afforded to us by the Rakuen pachinko parlor (a pinball-gambling establishment) that occupies the bottom floors of this building owned by Hamatomo Corporation. We launched the program in 2013, naming ourselves PARADISE AIR after this “Rakuen” – “paradise” in English – combined with “AIR,” the acronym for “artist-in-residence.”


 

Jatiwangi art Factory/印尼(Indonesia)

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  • Ginggi S Hasyim/JaF (印尼)/核心成員
  • Ginggi S Hasyim/JaF (Indonesia) / Member

Ginggi S Hasyim(1974 年生於印尼),也稱作 Ginggi,是一名藝術家、文化生產者,同時也是 Jatiwangi art Factory 的創辦人,Ginggi 對於區域規劃與人文景觀中藝術及社會政治的交會很有興趣。

Ginggi S Hasyim is a (1974, Indonesia) also known as Ginggi. Affiliated as an artist, cultural producer, and founder of Jatiwangi Art Factory in the village of Jatiwangi in West Java, which is Indonesia’s biggest roof tile manufacturing center. Ginggi had an interest in the intersection with art, social-politic in terms of territorial mapping and cultural landscape.
 
【 講題 Topic :生活即是慶典 Life is a Festival 】
 
生活總是有煩惱跟隨,並使得我們看來非常脆弱,因為無論是我們的日常社區生活或者外在條件,都是造成影響的原因之一。有時要解決煩惱並不容易,有太多事可以抱怨。享受生活的藝術即是一種釋放壓力的解決之道,刺激雙向互動與合作,結合興趣,平衡生活中的奉獻。 變得快樂一種資產,帶我們克服生活挑戰中因犧牲帶來的負擔。
 
Life always has a problem that follows it, even we look very fragile because in life there are many factors that influence it, both from within our daily life community and outside factors. The solution is sometimes not easy, and there are so many that can be complained. The art of enlivening life is a method that we have been using to alleviate the burden of solving problems, provoking mutual cooperation and cooperation, combining the interests of interests, balancing the offer of life. becoming happy is the asset to overcome the burden of sacrifice in the fight for life.
 
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Jatiwangi art Factory 是一個以社區為基礎的機構,致力於實驗如何結合農村地區的在地生活脈絡情境,實踐當代藝術與文化的形式與概念。

Jatiwangi art Factory is a community-based organization focused on examines how contemporary art and cultural practices can be contextualized with the local life in rural area, both form nor ideas. 
 
 

 

或者書店 Or Book Store/台灣,新竹(Taiwan, Hsinchu)

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  • 朱培綺 /或者書店/鴻梅文創內容平台編輯長
  • Peggy JU/Or Book Store/Grand view Culture & Art Foundation Content Director

不學無術的連結者,經營獨立書店十多年後的失敗者,無藥且樂觀還認為書業是可以做一輩子的工作;認為書店是認識一個城市最好的入口:認為經營書業的精神是內容;認為經營書店的終極目標是找到自我。目前任職新竹縣竹北市或者書店、以及readmore自媒體建置與編輯者。(www.readmore.com.tw)

The unconnected learner, the loser after running an independent bookstore for more than ten years, without medicine and optimistic, also believes that the book industry can do a lifetime of work; that the bookstore is the best entrance to know a city: Spirit is content; think that the ultimate goal of running a bookstore is to find yourself. Currently works in Zhubei City, Hsinchu County Or Book Store, and readmore self-media construction and editor.

【 講題 Topic :從「獨立書店」到「book+人文美學空間」From "Indivisual bookstore" to "book + culture & aesthetics in space" 

開書店可以生存嗎?

書店需要經營管理嗎?

身懷書店夢而片地開花的獨立書店,因閱讀載體的多樣化,以及書業生態的改變,實體書店變得越來越難以生存。2017 年在新竹縣竹北市開幕的書店「或者」,經營成員的經歷從開一間小書店到「經營」一家書店公司;從一家個人小店到參與一群同業串連的組織;從抵抗折扣戰到探討書店生存的意義、經營書店的方法、擴大閱讀的領域。書店,到底是文化事業還是營利事業?還可以開創什麼?

Can a bookstore survive?

Does the bookstore need to be managed?

Independent bookstores that blossomed in dreams of the bookstores, because of the diversification of reading carriers and the change of the book industry ecology, physical bookstores have become increasingly difficult to survive. The bookstore "Or" opened in Zhubei City, Hsinchu County in 2017. The experience of operating members ranges from opening a small bookstore to "operating" a bookstore company; from a personal small store to participating in a group of peer-connected organizations; from resisting the discount war To explore the significance of bookstore survival, how to run a bookstore, and expand the field of reading. Bookstore, is it a cultural undertaking or a for-profit undertaking? What else can be created?

 
 
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或者書店  或讀或寫 讀者與作者相遇的美麗書店

位於新竹地區人文書店,以親子共讀、友善土地、多元族群的理念,導入專業選書、選品、選食,引領讀者進入閱讀的多元世界,從閱讀想像力到體驗,分享閱讀的幸福,實踐生活五官六感全面向。以書店型態展現文化軟實力,作為世代文化連結的橋樑。店內選書超過八千冊,或者書店這座有機書森林,為書籍概列六大分類,為讀者打造了六條不同樣貌的步道,呈現森林中豐沛循環的生命空間。推開或者的大門,你可以想像自己循著步道,巧遇每一本書,或者聆聽,或者對話,並肩佇足,一起呼吸。

Located in the Hsinchu District People's Book Store, with the concepts of parent-child reading, friendly land, and multi-ethnic groups, it introduces professional book selection, product selection, and food selection to lead readers into a diverse world of reading, from reading imagination to experience, sharing the happiness of reading, and practicing life Five senses and six senses. Show the soft power of culture in the form of a bookstore and serve as a bridge for cultural connections between generations. There are more than 8,000 books in the store, or the bookstore, an organic book forest, outlines six categories of books, creating six different walks for readers, showing the rich and cyclical living space in the forest. 

 

 

節點 Zit-Dim Art Space/台灣,台南(Taiwan, Tainan)

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  •  林盈潔/節點藝術空間(台灣)/藝術家
  •  Ying-Chieh LIN/Zit-Dim Art Space (Taiwan)/Artist

1994 年生於臺灣彰化,現生活和創作於台南。作品多為複合媒材組合而成的空間裝置,問題意識來自生活中移動與寓居的經驗,混雜著些許路上觀察的精神,試圖重新提出那些普遍的經驗裡,較難觸及和想像的脈絡,透過場面調度、閱讀路徑和觀眾參與的視角等等,將其營造為另類感性流動的場域,與其如何再次被安置於現實之中,成為可感事件的動能。

1994 born in Chunghua, Taiwan, living and working in Tainan now. Her works are mostly spacial installations combined by mixed media. The discussion in his works often revolved around the moving and living in life, with a mixture of observations on the road. She tries to bring up those untouchable and imaginary context in the common experiences. Through the mise-en-scene, reading path and aspects of audience engagement, LIN creates a sentimental flowing space that can be inserted into the reality and became the energy of contemporary events.
 
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  •  張根耀/節點藝術空間(台灣)/藝術家
  •  Ken-Yao CHANG/Zit-Dim Art Space (Taiwan)/Artist

一九九二年出生於台北,現創作和生活於台南。創作涉及雕塑與現地裝置等形式,早期關注於空間與環境之間曖昧難辨的場域,其衍生出雕塑這種具有很現實性的量體與重量,就像是在展覽中當你在退後看一幅畫的時候會碰撞到的東⻄,既融入卻又突⺎,後將雕塑的固著性轉向現地裝置的變動思考,近期則將空間中的時序;歷史,試圖藉由影像空間與現實空間的交錯、錯位,延展出另一層介面的可能性。

1992 Born in Taipei, Taiwan, he is currently working and living in Tainan. Chang’s creation involves sculptures and site-specific works. Early focus on the difficult field between space and environment, it derives the realistic volume and weight of sculpture itself. It’s like something that collides when you look back at a painting in the exhibition, which makes you feel Incorporate but abrupt. After that, he is thinking about the transition of the fixation of sculpture to the site-specific installation. Soon, the time series, histories in space will be used, try to use the Interlaced, misplaced, and the possibility of extending another layer of interface between image space and real space.

【 講題 Topic :節點—⾃營的駐村型態藝術空間、計畫型展覽與未來規劃“Zit-Dim Art Space”-A self-employed residency art space, planned exhibition concept and future plans and directions 

節點空間⾃ 2019 營運至今剛好滿⼀週年,正是個完整的時間點向觀眾分享過去⼀年來的所舉辦的活動。作為⼀個⾃營的駐村型態藝術空間,成員涵蓋了台灣、⾹港與澳⾨的創作者,嘗試在沒有補助經費與⾏政⼈⼒的狀態下進⾏資源的整合與串連。包含「節點沒有之⼀」的在地、計畫型展覽概念的接龍,和與不同國籍的藝術家、空間之間交流互惠的經驗與⽅式,並聊聊⽬前是如何在維持空間的實驗性與營運上達到平衡︖在空間成員組成即具備跨地域性優勢之下,我們未來規劃與⽅向是什麼︖

Zit-Dim Art Space has just been on its first anniversary since 2019, and it is an appropriate time to share the activities held in the past year with the audience. As a self-employed residency art space, the members include creators from Taiwan, Hong Kong, and Macau. We try to integrate and combine resources without subsidy and administrative manpower. Including the solitaire project of “Zit-Dim Art Space without one”, a local and planned exhibition concept, the exchange reciprocal experiences and methods with artists and spaces of different nationalities. Also, talk about how do we maintain the experimental and operational space on balance? Given the cross-regional advantages of space membership, what are our future plans and directions?

 

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港澳臺共同合作經營之藝術空間,試圖創建亞洲平台,致力當代藝術推廣、教育經營、田野累積、文化研究、自製出版與策展規劃;重視實驗性,跨媒材合作、國際駐村等藝術交流。開放不同主題與媒材創作者空間申請,不定期舉辦展覽、座談、論壇等發表。

An art space co-operated by Hong Kong, Macao and Taiwan, trying to create an Asian platform, dedicated to contemporary art promotion, education management, field accumulation, cultural research, self-publishing and curatorial planning; emphasis on experimental, cross-media cooperation, and international art exchanges . Open space application for creators of different themes and media, and held exhibitions, seminars, forums irregularly.

參與全程 DAY 1+DAY 2 (2/15-16) NT$ 300.00
僅參與第一天 only DAY 1 (2/15) NT$ 180.00
僅參與第二天 only DAY 2 (2/16) NT$ 180.00
100 臺北市中正區八德路一段1號(華山 1914 文化創意產業園區中三館二樓拱廳)
電話: 02-8809-3809
Email:
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活動地點名稱 華山 1914 文化創意產業園區中三館二樓拱廳
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相關連結 http://25anniv.bambooculture.com/