王德瑜 Wang Te-yu @《城市與河流的交會—竹圍環境藝術節》

王德瑜

王德瑜的作品牽涉，激起，或是要求一種經驗，而不是運用（甚至是一種消耗）。她的第31號作品（位於竹圍工作室）是一種嘗試，亦即作品在某一個情況中並不是一個單純的物件，而是一個擁有好幾個階段的過程。她對於人們可以用他們的身體和動作去參與她的作品感到興趣。她在竹圍工作室屋頂上的作品，是本次展出作品的本源，同時，也是本次展覽的一部份。

在展覽中，她的作品這一次表現在由大眾所共同製作的風箏。每個人使用非常鮮豔的塑膠紙完成他自己的身形（剪影），然後將它貼在一個木製的結構上。接著去河邊將自己圖像放到天空中。一根釣桿的使用提供了象徵的意涵：圖像與空氣、天空、風及水（透過水中的倒影）產生了對話。透過自己的剪影，人們以一種詼諧的方式在這個地景中存在。

Wang Te-yu

More and more works are demanding another form of existence, not only in the form of perspective.  Works involve, stimulate or ask for experience rather than usage (even consumption).  The 31st work of Wang Te-Yu (at Bamboo Curtain Studio) proposes that the work itself is a situation and not an object but a process of many stages.  She is interested in the participation of people in her works with their body and gestures.  This work, still on the roof of the Bamboo Curtain Studio, is the origin of this exhibition, and then is a part of it.

For this exhibition, her works will present on a kite created by the public, everyone will do his/her own figure (silhouette) on sheet of very colorful plastic and put them on a wooden structure.  Then people will brought it to the riverside to make fly their colored image into the sky.  The use of fishing rod gives meanings: the images will be in communication with the air, sky, wind and water (through reflection). With the silhouette, people will be within the elements of the landscape in a humorous way.

Courtesy / 資料刊登允許：Bamboo Curtain Studio, Taiwan/ 竹圍工作室，臺灣