駐村計畫

李德茂

李德茂

駐村日期:2017/04/29 - 2017/05/07
新媒體
台灣

李德茂(Li, Te-Mao),1973年生於台灣台中,現居花蓮。畢業於淡江大學物理系及中山大學哲學研究所。多年從事網路資資料庫工程師,並長期關注當代藝術生態,於2016年成立北角工作室。2015年起進行錄像創作計畫,作品首次發表於竹圍工作室舉辦「李德茂個展」。

 

駐村作品

2017〈李德茂個展〉

本展覽是我在2016-17年進行的錄像創作計畫,將呈現我對於錄像的直覺、思考,以及作品中關鍵的轉化作用。作品中將探討關於錄像的基本屬性,例如鏡頭可視範圍的空間性、影像的時間性、鏡頭對象在數位影像中的轉變等,試圖更深入碰觸錄像的本質問題。

作品經由兩個主要的方向,去探索乾淨的錄像語言。其一「低負載」:抽離議題、意識型態、隱喻、敘事、裝置技術、功能性,以減法形成影像,在單純的影像中凝聚張力在其所指稱的觀點上;其二「去意義性」:透過鏡頭視角、光線,消弱被拍攝對象的慣常意義,例如海水、光點、鐵軌,在錄像中作為其名詞所指稱的概念,而非被賦了意義或詮釋的對象。

.作品《向Gursky致敬Pay tribute to Andreas Gursky》入選YICCA義大利國際藝術家競賽,在近700件不分類作品中選出18位藝術家,將於2017/06/01 - 14立陶宛首都維爾紐斯The Rooster Gallery展出。

 

2017<Te-Mao Lee Solo Exhibition>

This exhibition is my video art project in 2016-2017. It will present my intuition and thinking about the video, and the key transformation in the works. The basic properties of the video are explored, such as the spatial extent of the visible range of the lens, temporality of the video, the transformation of the lens object in the digital image and so on, the essence questions of video are tried to touch more deeply.

These artworks explore the clean video language through two main directions, one of the "low load": remove the issue, the ideology, metaphor, narrative, device technology and functionality, artworks with subtraction to form the images, to condense the tension in its alleged viewpoint in the purely images; Second, "remove meaning": through the perspective and light of the lens to weaken the usual meaning of the photographic subjects, such as seawater, light and rail track, they all are the concept of their noun in the video, rather than the assigned meaning or interpretation Object.

One of the artworks in this exhibition (Pay tribute to Andreas Gursky) is selected by YICCA Art contest - International competition for artists. It selected 18 artists from about 700 artworks. The exhibition will be held at the Rooster gallery in Vilnius, Republic of Lithuania.

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