AIR－藝術家的心靈行旅 鄭詩雋 參展作品

『平平元帥』整體造型藉由富含台灣特有傳統意義的符號（民間太子爺－元帥），象徵個人精神的昇華與信仰。純真、稚氣的表層下飽含著無窮無盡的智慧與喜樂。也藉由這一身的視覺打造，使這件雕塑作品具有一股祈福消災的儀式性質。當天、地、人三種傳統意象在一個文件中同時顯像時，畫面隱約給人一股更具莊嚴、高尚、殊聖的特質。

台灣特有『民俗』符號，是我近年來大量使用的創作元素。而其中民間信仰所衍生出的特殊美感經驗給人一股兼具『本土化』與『國際化』的全新視野！而那信仰的背後更深沉的意義，是教化群生志心歸禮，體悟真道。

禮教觀念雖屬立意良善，但難免生澀乏味，令人怯步。我企圖以一種更具當代思維的創作方式，融合傳統民間信仰與符號，透過『觀念承載→行為表演→作品文件』的特殊創作過程，更具趣味性與戲劇性地重新提出一套更具藝術性格的感知系統。

the whole model of『pure_pure_prince』is full of traditional symbols proper to Taiwan. (folk culture---『The third prince』).It symbolize sublimation and belief from personal spirit. The layer under the Surface of pure and childishness is full of endless wisdom and happiness. By way of the sense of sight, It makes  the sculpture to be another blessings work.When the three trsditional consciousnesses heaven , earth and human beings emerged in the same interface. Its seems to show the characteristics of sublime, dignity and inviolability.
Folk symbols proper to Taiwan are the creative elements I used to used recently. The special esthetic experiences Derivated from folk belief show we a brand new vision of 『localization』 and 『internationalization』.And the deeper meanings below the belief is to educate people to follow the liturgy and appreciate     vital principle.
Although The concept about the liturgy is well-meaning but its often monotonous and make people awed. I try to merge the traditional-folked beliefs and symbols together by the way created mordenerly. By way of the special creating process 『concept receiving→Performance→creation documents』It much enjoyablely and dramaticly repropose a series of perception system included more and more artistic character.

藝術家：江佶洋、呂岱如、吳忠良、吳達坤、吳耿楨、郭昭蘭、葉怡利、劉時棟、鄭詩雋
策展人：蕭麗虹
協同策展人：劉孟晉