1999
關於國際文化交流方面
2001
What Kind of Role Shall NGO and NPO Play
2002
創意產業與台灣的藝文發展
2003
文化創意產業發展策略之比較和建議
Fostering Cultural Exchange Without Sacrificing Traditions
Margaret Essay on CI Park for NAF
Statement Public Art Where Are Our Innate Sensibilities
The Real Values of Cultural Exchange
台灣空間再利用橘園版
創意產業是件好事嗎
2004
Creative Cultural Strategies for City Regeneration in Taiwan
2005
台灣空間再利用：以文化再造、近年起步的困境及國外案例為借鏡
全民應重視華山，它是城市競爭的指標
2006
Below the Radar Screen: Dynamic New Artist Led Movements In Asia
2008
Notes to UNESCO meeting 2008 June 23-27
找新點子？往藝術村走走吧！
Bizart 10th Anniversary Write Up: A Compass for The New China
Innovative Asian Cities: an International Forum
2009
「文化空間─創意的要素」
2010
Bamboo Curtain Studio, an Art Factory at the Edge of the City
The Changing Role of Artist In This Decade: The True Value Of International Residency Programs
這是居民自己“踩”出來的街
沒有1995-2002 年，不會有今天新華山精神──城市聚落與文創發展的關係
2011
Taipei: Design for the World? How so? How to?
Tamsui had better clinch its culture assets and restructure the city into a creative hub with strong city-supported clusters
夢幻嘉年華會 : 玩出市民的共同價值與城市核心品牌
12年又一輪：視盟的萌芽過程與未來的能量
2012
Why Global Residencies Can Widen Your Perspective and Help You Fully Realize Your Inner Potential
2013
Redefining Artist-in-Residence: Creative Engagement for a Sustainable Lifestyle
Essay for Bank Art Yokohama 2013
TCE Panel of Jean Baptiste Session on TCE Boston
2014
亞細亞安那其連線的東京成型：緣起，成員，與過程
An Asian Anarchy Alliance is now formalized in Tokyo: Why, Who, What and How did it was done
