Rinyapat Nithipatnan
Rinyapat Nithipatnan is invited by Thai curator Kongsak and Bamboo Curtain Studio as one of the six Thai Artists presenting works in “2015 Green Art Action: In Zhuwei X Art No Wall” exhibition.
Rinyapat is an outstanding artist in dramatic arts. Her work often addresses social issues through dramatic art form. She was the author and director of “Princess” play at BAAC in 2010. In addition, she was a facilitator for workshop on improving quality of children’s lives through play at Taksin University in 2012. Rinyapat is an invited lecturer of performance for many institutions including Silpakorn University, Suan Dusit Rajabhat University and Kasetsart University. Moreover, she recently joins with “Pai Yan Yai” group to create a live art performance “Alice in Himmapan Forest” in Situation Exhibition: Metro-Sapiens: dialogue in the cave held at Chomphon Cave, Ratchaburi. She also participates in live contemporary art with Thai musical band and String Chamber Orchestra in Thai Contemporary Music Show held at Music Hall, Chulalongkorn University.
To be a woman who is able to expressed her needs and take control over herself completely through her emotion. This will be a positive way to empowering herself to take important roles in the society. Rinyaphat wants to create her art that reflect women power in positive vibes. With confident and realising their value they can become everything that they want to be, especially middle age women that working in various kinds of career.
Photo in residency
Collaborative Organization
Bamboo Curtain Studio Green Art International Project (Funds by: Ministry of Culture of the Republic of China (Taiwan), The Emerald Initiative-Grants for Cultural Exchanges and Collaborative Projects with Personnel from Southeast Asia)
Works in residency
Green Art Action: In ZhuWei × Art No Wall
From the river mouth to alleyways, nature and everyday lives inspire and motivate the creation of art and the mobilization of communities. In the Green Art Action exhibition, three topics surrounding Tamsui, Plum Tree Creek, and Zhuwei are discussed- Chapter One: In Zhuwei shares with the public the experiences of community participants, Chapter Two: Art No Wall tells the stories of the river through projects conducted by artists from Thailand and Taiwan about living and the environment.
